Outstanding Winners in Dusseldorf

Woodwinds Shine at an exemplary 2024 edition of the Aeolus

Seventeen-year old Flautist Fabian Johannes Egger, born 2007 in Traunstein near Munich, managed to win all three possible prizes in the final of the 2024 Aeolus Competition: the jury prize, the prize for the best interpretation of a contemporary piece, and finally the audience award.

The 17-year-old elicited an unusually wide range of nuances from the Danish composer Carl Nielsen's Concerto for Flute and Orchestra. His playing seemed free, as if it were all improvised. Such a casual manner is rare in music competitions. He shaped the opening Allegro moderato like a very agitated speech and made rhythmically striking passages appear almost percussive. In the Allegretto un poco, he found a tone as if he wanted to lure animals, and he mastered the technical hurdles of the concerto so confidently that they seemed almost irrelevant.

He composed the contemporary piece (for which he received the special prize) himself. “Life is not enough!” is the name of the composition. Whirring girlands, strong rhythmic accents and delicate moments combine to create a rousing performance.

Fabian Johannes Egger, 1st prize winner, Flute

He composed the contemporary piece (for which he received the special prize) himself. “Life is not enough!” is the name of the composition. Whirring girlands, strong rhythmic accents and delicate moments combine to create a rousing performance.

But the other two finalists also delivered outstanding performances. The 27-year-old clarinetist Victor Díaz Guerra, a winner at the 2019 Nielsen Competition and currently Principal Clarinet at the Orquesta de la Comunidad de Madrid,  won second prize with a technically brilliant performance of Carl Maria von Weber's 2nd Clarinet Concerto. With a robust, silvery sound, he gave the solo part a very clear structure and interpreted it in a rather classically strict than romantically way. Even in the slow middle movement, the expression of feelings remained discreet.

The third prize was awarded to bassoonist Minju Kim (28), previous winner at the Prague Spring Competition and Principal Bassoon of the Hamburg Philharmonic Orchestra. The late classical Concertino in B-flat major by the Finnish composer Bernhard Crusell sounds as cheerful as a morning walk. But the countless trills, runs and arpeggios make the solo a tough workout. Kim mastered the high demands with skill, but not without tension.


 

Victor Díaz Guerra, 2nd prize winner, Clarinet

Minju Kim, 3rd prize winner, Bassoon

The finalists were once again accompanied by the Düsseldorf Symphony Orchestra, this time conducted by Katharina Müllner, who will take up the position of Kapellmeister at the Deutsche Oper am Rhein this season. Her clear conducting style with precise gestures provided a firm orchestral framework within which the soloists could develop freely.

Prize:
1st prize: Fabian Johannes Egger, Flute (17), Traunstein, Germany
2nd prize: Victor Díaz Guerra, Clarinet (28) Madrid
3rd prize: Minju Kim, Bassoon (28), Zurich

Jury:
Mark Rohde (Chair), Yahuda Gilad, Amy Harman, Kilian Herold, Dag Jensen, Prof. Thomas Leander, Andrea Lieberknecht, Gaby Pas-van Riet

Artists:
Düsseldorf Symphony Orchestra

©2024 WFIMC/FR

Including material of “Rheinische Post”, Dusseldorf