Odesa Violin Competition to be held in Germany

August 2025 will see the first edition of the competition since the Russian Invasion. WFIMC spoke with Ukrainian Conductor Oksana Lyniv, who will be directing the Kyiv Symphony Orchestra at the Finals of the Competition

Long postponed because of the war in Ukraine, the Odesa Competition has now found a temporary home in Monheim, Germany, where it will be held from August 17-24, 2025. Its international jury is comprised of Marc Bouchkov, Andrii Murza, Soyoung Yoon, Aleksey Semenenko, Mario Hossen, Rūta Lipinaitytė, Zohrab Tadevosyan, Harald Schoneweg and Christiane von Velsen, while the Kyiv Symphony Orchestra under Oksana Lyniv will perform at the competition finals.
Founded in 2018 by Ukrainian violinist Andrii Murza, the Odesa international Violin Competition honours and preserves the memory of the great violin school of the city of Odesa, and more specifically the legendary pedagogue Peter Stolyarsky. Born in 1871, he opened the first specialised music school in the USSR for gifted children (1933) and achieved international recognition through his students David Oistrakh, Boris Goldstein, Nathan Milstein, Elizabeth Gilels, Mikhail Fichtenholz, and many others.

WFIMC: How were you able to find a temporary home for the Odesa Competition?

Oksana Lyniv: You need strong international partners, and we are lucky and grateful to Monheimer Kulturwerke and its Intendant Martin Witkowski, who has not only taken the Kyiv Symphony Orchestra into exile at his institution, but now has also shown a great interest into the the Odesa Competition. For a competition, you need space- practice rooms, pianos, a hall for the final, and Monheim is the perfect place.

Odesa is a very special city.

Its violin school is especially famous. Everyone knows David Oistrakh and Nathan Milstein, but there are so many others. It´s great to have this competition in order to remember this city, to remember Stolyarsky, his school and its legacy. It was first held in 2018 and I became an honorary member of the jury in 2021, when it was still held in Odesa.
For me personally, Odesa was always very important. My first position as a conductor was at the National Opera in Odesa, where I worked for five years and where I could conduct a huge amount of repertoire. From Odesa, I went on to Munich to become assistant of Kirill Petrenko at Bavarian State Opera. But I will always remember Odesa.

Pyotr Stolyarsky and Igor Oistrakh

A longtime concertmaster of the Odessa Philharmonic said something remarkable: “There is something about this city, I don't know what it is, that won't let go of me. It isn't easy to explain, but there is a quality about Odessa, sadness maybe, or desire, that makes music more beautiful." Can you relate to what he said?

There is a great music scene. People really love culture, and especially music. They are proud of their history and all the great artists that came from their city.
Just look at the Opera house. It was the second most important opera of the Russian Empire, right after Saint Petersburg. All the big stars went there- Caruso,  Chaliapin, Pavlova…

But while everyone remembers Oistrakh, few people know Stolyarsky.

Yes, people usually only know his students. But Stolyarsky was a phenomenon. His method and his individual approach to every one of his students was remarkable. He put a lot of importance on chamber music, on orchestra playing, but also on general education- literature, and visual arts. He hated musicians who played like “machines” and told it was harmful to ask young musicians to perform in public too much, too early, before they were able to truly absorb and master a piece mentally and emotionally.

"We are just fanatics about our music. It's in the water or the air. There is this belief now in Moscow and abroad that technical skills above all are the path to achievement. That without them you can be nothing. But we have always disagreed. Here you play with the heart. First comes the freedom. Then comes the technique."
Pavel P. Butovsky, former Deputy Director of the Stolyarsky Music School.

Odesa Philharmonic Theatre (formerly the New Exchange), built in 1894 ©Alex Levitsky/Dmitry Shamatazhi

At the Tchaikovsky Conservatory in Moscow, teachers demanded technical excellence, whereas in Odesa, music was made “from the heart”.

Yes, people say that. But just look at how succesful Stolyarski´s students were: at the 1937 Queen Elisabeth Competition (it was still called Ysaye Competion at the time), the first six prize winners were from the Soviet Union, and four of them came from Odesa: David Oistrakh (First Prize), Elisabeth Gilels, Boris Goldstein and Mikhail Fichtenholz, with Thibaud and Szigeti in the Jury!

Back to the competition. Do you have a special focus on Ukrainian composers as well?

An important point for the Odesa Competition is the Ukrainian repertoire. Ukrainian culture, and Ukrainian music, had long been neglected or even suppressed by the Russian Empire and later by the Soviet Union. Now, at a time when the whole world is looking at Ukraine, there is a great opportunity to make this music known to the world.
If you look at my programs, especially with the Youth Symphony Orchestra of Ukraine, you will find famous classical Ukrainian composers, but also commissioned works by young composers. If these works are performed in major European venues like Lucerne, they become powerful statements against the war.
The same way, we have included Ukrainian composers in the repertoire of the Odesa Competition.

©WFIMC 2025/FR


Oksana Lyniv, born in Brody, Ukraine, is a renowned conductor celebrated for her trailblazing career in classical music. She gained prominence as the first woman to conduct at the Bayreuth Festival in 2021, a historic moment in the festival's 145-year history. Lyniv studied at the Lviv National Music Academy and honed her craft in Dresden. She served as principal conductor of the Graz Opera and 2022 was appointed Music Director at the Teatro Communale of Bologna. Passionate about Ukrainian culture, she founded the LvivMozArt Festival and the Youth Symphony Orchestra of Ukraine, promoting young talent and her homeland's musical heritage.